On the island off the west coast of Africa, actors on Sao Tomé portray a medieval European tragedy while donning a variety of costumes adorned with wigs, caps, and beards. The custom of outdoor Tchiloli theater, which was introduced to the archipelago nation over 500 years ago by Portuguese colonists, is still well-liked by locals and visitors.
According to one of the members, the troop’s appeal stems from its support of justice. “People love this culture because it speaks about something very real: justice,” says Marc Carvalho, a 35-year veteran of the unit. Justice does not differentiate between wealthy and impoverished people. Justice must be served regardless of one’s status—rich or poor, male or female. That’s precisely it.
The Carolingian dynasty, which dominated most of western Europe from the seventh to the tenth century AD, is referenced in the play’s Old Portuguese script. The themes are still relevant, according to spectators, which is why the practice has endured for so long.
It makes a really significant point. In essence, it asserts that justice affects both the wealthy and the impoverished. regardless of social class or religion. Put otherwise, wealth, that kind of stuff. Everything must be equitable. According to Maribel Borja, “whoever sows evil reaps evil.”
The troop performs for several hours at a time, making it a demanding job. However, Jardel Moniz Fernandez, a member, claims he finds it inspiring and expects to eventually bring his kids along.
I have two kids, and I will shortly begin training my eldest to perform the role of Kata, a little child who must deliver a letter in the play. He says, “I’ll start preparing him now so he can join the group.
